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Swimming In A Fish Bowl (Demos Vol. 2)

by Unquiet Music Ltd

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Current 01:47
Trey Gunn: Warr guitars JP Rossi: electronics


This is the second volume of demos, early and alternate mixes from the album "In The Name Of... (A Prayer For Our Times)"

This is a release from Unquiet Music Ltd


released April 2, 2021

Mixed by JP Rossi
Mastered by Markus Reuter


Swimming In A Fish Bowl

A very early piece created to “test the water” of the main composition as it was gradually taking shape, emerging from the sleeping wave of the unconscious. A repetitive/odd rhythm “bowl” pattern with voices swimming around…



Early demo of what would become the glorious introductory theme of “In the Name Of The Son (Atomisation)” a few Months later (hear the last track). A few major chords tossing and turning with a dynamic support!


First Holy Solo

The other solo from Trey Gunn on "The Machine" part of "Atomisation", further inverted, deformed and used on “A Sound Of Now” and “Another Sound Of Now”. Here goes the original “out there” performance. Trey also performs the (written) bass score.


Second Piano Interlude

One of the early intents to formalize the “Holy Spirit” part, in its initial form for piano (scheduled to come on Demos 3!).


Markus’ Lullabies

This is the original “instant composition” from Markus Reuter, expressing dreamy and lullaby themes for his new born daughter. All sounds performed by Markus, this is a pure moment of bliss and a treat to release on an Unquiet Music Ltd album.


The Father’s Family Jewels

A version of “In The Name Of The Father”, with everything in place except the main 4 guitars parts, revealing the rhythmic backbone and melodic widgets.
Several quotations from inspiring artists... Good for a Quizz (with a giveaway as the introduction)
Percussion and acoustic guitar are played by Khliff Miziallaoua, U8 bass section by Cédric Theys, and the string section counts with Alyssa Aït Hammou, Caroline Berry, Christophe Jeannin and Lukas Carillo. Trey Gunn provides a few noises also...


Atomisation (2017 version)

This is the first full-length version of the piece. With not-yet-finalized lyrics, an early vocal performance, and all electronics otherwise. A piece with a raw energy and several rhythmic variations compared to the final version.


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